The Sinister Midnight Lending Library Proudly Presents:

 
 
The Plough And Orion
Rich Butler
 
 
 
When I was thirteen I told my English teacher I planned to be a writer. He didnt exactly take me seriously and I cant blame him. At that age I wasnt interested in words and their meanings; for me books were like deserts, dry and devoid of any real life. I didnt believe that a string of odd shaped marks could describe the way the seashore smells first thing in the morning, or the way a caterpillar scratches as it inches itself inexorably across a leaf. I wasnt a very good student. I'd spend the lessons staring bleakly out at the hills. Those hills seemed like mirages to me. They seemed to shimmer in front of me, all dark and tempting. They were the Welsh hills, the hills of my Grandfather, and of his fathers. They seemed timeless, eternal. I used to imagine dinosaurs striding over them in the days before the scars of telegraph poles and barbed wire fences. I'd stare at them all day trying to pick out the lonely houses of people I knew and the tumbling streams by the long soft grass. There were tiny villages lost in those hills, with churches the size of garages and strange vowel-less names. It was a foreign world to the grim refugee camp of a school in which I spent my days.
      The only time I really loved school was when it rained heavily and the water would lash angrily against the window panes. I'd watch the individual drops as they descended the panes, deflected by and curving around invisible objects, competing with each other for speed and then slowing down, joining. For a moment they'd kinda embrace each other, then they'd split and be lost, like lovers losing each other at train stations. I always imagined that this strange imitation of life was what should be in art galleries; not dreary imitations of landscapes which told you nothing, but the lonely dance of water on glass. Those days I'd wait for lunch time with even greater anticipation and when it came I'd sit alone in the old art block; steaming up the windows as I watched the fierce droplets attack the puddles, and the way the puddles absorbed their anger and grew, engulfing the areas where other children played and talked. When the rain stopped the air seemed new and pure, as though the stale boredom of the playground had been washed away, and Id often miss my lessons, just kinda sitting there and breathing, all happy and warm inside.
      But despite my lack of interest in school and reading I was serious about being a writer. I still am. Maybe one day Ill achieve it. Then, it always seemed an honest profession, perhaps the only one where a lonely, hopeless dreamer like me could work and be honest to himself and the world about what he was. I saw the way other people absorbed those funny marks on the pages and the way books affected them, and I wanted to influence people that way. It was kinda like I wanted to tear open my heart, pour it on the page, so others could see that I existed, that I was real. I wanted to somehow express that tremendous awe I felt every morning when I opened my eyes and saw the blossoming world around me, and realised that all that time I had been asleep, unconscious, the world had been continuing around me, people had fallen in and out of love, others had died or been born. And so I decided to write.
 
 
 
 
 
© 2000 Rich Butler
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